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#Mr hands video vimeo full#
#Mr hands video vimeo series#

Promocion Ciudad de Las Palmas de Gran Canaria SA. "Kogonada and Simone Grau, at the Festival's Workshops". However, when I'm making visual essays, I treat words as supplementary." Filmography He explained that "f you want to delve deep into theory, texts are the perfect medium. What you select, and how you cut it." In comparing written essays with visual essays, Kogonada noted how words form precise observations of ideas, while visuals could convey a particular idea without providing a definite explanation. Those two ongoing choices are the difference. In an interview for Nashville Scene in March 2015, Kogonada likened creating video essays with preparing sushi: "With sushi, every cut matters.

His video essays are formed through the juxtaposition of images, conveying thoughts through a particular arrangement of clips. Some examples are his three video essays on the aesthetics of American director Wes Anderson, who is known for using unusually symmetrical framing in his films. Kogonada's video essays typically showcase a particular theme or aesthetic regularly used by a filmmaker either throughout a filmography or within a single work.

The World According to Koreeda Hirokazu (2013).

Kubrick: One-Point Perspective (2012).

Īmong Kogonada's video essays on influential film directors are: Kogonada's video essay "Hands of Bresson" was chosen by filmmaker Robert Greene for Sight & Sound as one of the best documentaries of 2014, with Greene stating that works like his "make clear that the line between nonfiction film and video essay is at best blurry and the best work should simply be celebrated as cinema." In March 2016, Kogonada was part of the official jury for the 16th LPA Film Festival at the Canary Islands, Spain, where he taught a master class and had screenings for 14 of his video essays at the "Bande à part" section. Kogonada's works are part of a growing movement of video essays as a visual form of film analysis, appreciation, and criticism on the Internet other video essayists include Nelson Carvajal and Tony Zhou, as well as film critics Kevin B. Since then, most of his video essays are commissions for companies which include the British Film Institute (publisher of Sight & Sound), The Criterion Collection, Samsung, and the Lincoln Motor Company. Kogonada's first commissioned work was for Sight & Sound magazine in February 2013, titled "The World According to Koreeda Hirokazu", which highlights director Hirokazu's regular focus on everyday life in his films. Kogonada was inspired to create the video essay while he watched the series, noticing a recurring visual aesthetic used throughout the series.

#Mr hands video vimeo series#

Using clips from the American television series Breaking Bad, the video displays the series' use of numerous point-of-view shots from unusual angles and objects. Kogonada made his first video essay, "Breaking Bad // POV", in January 2012. There is something about being an immigrant in America and having the power to name yourself." Video essays In a 2018 interview with the Financial Times, he stated: "If I’m honest, the pseudonym was about being an Asian-American too. His pseudonym is taken from Kogo Noda, a frequent screenwriter of Yasujirō Ozu's films. I’ve also never identified much with my American name, which always feels a little strange to see or hear. I like Chris Marker's idea about your work being your work. His identity is nearly unknown, although he does attend screenings of his works. As of 2022, he resides in Los Angeles with his wife and two sons. happy hunting? Now, check out the list of things not to Google below.Kogonada immigrated from South Korea as a child, and was raised in Indiana and Chicago.

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#Mr hands video vimeo full#

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